Drama fascinating is that its boundless imagination can stimulate people's curiosity, and its carefully designed experiences can bring satisfaction to the phone database audience's senses and souls. It is entertainment, not teaching material; it is created to satisfy the audience's desire not to be bored, not for everyone to use their brains to learn in their spare time in their busy lives. Text: Bingyang I wonder if the audience who likes costume dramas will become interested in the history, costumes or culture in the drama after chasing the drama?
Will there be a sudden impulse to inquire about the prototypes and stories of the characters in the play? Or start noticing the makeup and clothing styles of various dynasties? As an audience who loves costume dramas, the author and I often run to make up various background settings because I love a drama too much. Like when "Story of Yanxi Palace" and "Ruyi's Royal Love in the Palace" were popular a few years ago, I was addicted to chasing dramas and directly turned over the Wikipedia and YouTube videos of Qianlong's concubines and heirs several times.
Out the order and birth mother of all the descendants of Qianlong (super useless knowledge XD). However, this type of drama written with reference to history often encounters many disputes on "textual research". Just like when "Ruyi's Royal Love in the Palace" was on the air, many scholars criticized the exaggeration of Empress Fucha and her successor Nala's clan in the play for being contrary to historical facts; "Story of Yanxi Palace" deliberately ignored the third son of the emperor in order to create tension The existence of Yongzhang and Princess Hejing was also questioned at that time.